LITM Rock picks tunes that will surely uplift your mood for the weekend, brought to you by Brooks John Martin, Martin Kuiper, Richard Tyler Epperson, Rosetta West, and We Have Ghosts
Brooks John Martin - Clear Blue Waters
With "Clear Blue Waters," Brooks John Martin presents a soul-quenching trip of self-discovery and rebirth. The song seamlessly wed his folk heritage with cinematic richness, building an expansive, though intimate, soundscape. With the initial chord of his guitar, Martin establishes a field of contemplation, conjuring the serenity of clear waters as much as the grandeur of open skies.
From Cedar Falls, Iowa, Martin has travelled through many creative paths in the form of Toast and The Blue Danes. Under his own name now, he contributes a down-to-earth authenticity that can't be overlooked.
The rich, stacked instrumentation on the song recalls Brian Wilson's grandeur without losing the folk sincerity of Neil Young. Lyrically, it's a poetic appeal to strength, with the likes of "Come back to the clear blue water with me" ringing as profoundly personal yet universally relatable.
A veritable work of art, "Clear Blue Waters" is Martin at his best.
2. Martin Kuiper - Dreams
Martin Kuiper's Dreaming Of A Sea of Time feels like opening a beautifully weathered journal- intimate, poetic, and introspective. "Dreams," the lead-in to the EP, establishes the atmosphere with ethereal acoustics and wispy synths that swim through your head like a soothing tide.
Kuiper's voice bears the gravity of one who lived and learned, drawing you into his world of remembrance and change. Erik Neimeijer and Jim Zwinselman's unobtrusive arrangements give each note its time, as if relishing the air between hope and remorse.
This isn't music- it's a sonic memoir, the second in a trilogy that's as concerned with the passing of time as it is with the narratives we bring. For listeners of reflective folk with a cinematic bent, Kuiper's Dreams is a precious thing to be discovered
3. Richard Tyler Epperson - December Night
“December Night” from Richard Tyler Epperson’s Fragmented Night doesn’t just kick things off- it transports you. This isn’t your typical rock; it’s dynamic storytelling set to a soundtrack of shifting moods and stunning crescendos.
Epperson demonstrates he's no prisoner of the genre. As "December Night" smoulders with understated intensity, "I Love It When It's Cold" creeps in with neo-soul murmurs and a tip of the hat to the edgier face of pop. And before you can say you think you know him, "Let's Drive" erupts- half country-funk, half indie adventure.
This record plays at the fringes of what defines rock, taking bits from its neighbours and building something that is distinctly Epperson. With its cunning use of space, dynamic colour, and emotional grime, Fragmented Night is a call to explore the confines where rock and the unexpected intersect.
4. Rosetta West - Circle of Doubt
Rosetta West's "Circle of Doubt" is a blues-rock fever dream- dark, smoky, and addictively trippy. Beginning with a mesmerising guitar riff that's like a looping incantation, the song draws you into a psychedelic underworld where blues meet psychedelia.
Joseph Demagore's vocals are a chilling chant, thick with tension as he belts about spiritual wars and struggling for liberation. The swirling guitars and glinting cymbals create a sonic texture that's both frantic and healing.
Flip to the B-side, and "The God Who Made Me Cry" swaps haze for down-to-earth grit, mixing folk-inspired storytelling with darkened distortion. Rosetta West evokes a timeless atmosphere, weaving old themes into contemporary bluesy enchantment. "Circle of Doubt" is not merely a song- but an enchanting ritual you'll return to again and again.
5. We Have Ghosts - You. Know. Want
We Have Ghosts’ You.Know.Want is akin to being sucker-punched by the '90s alt scene- unbridled, raw, and wonderfully unpredictable. This three-piece outfit from the UK combines punk's punky fringes with grunge's heavy swagger, creating a sonic brew that is half pandemonium, half catharsis.
Benjamin Mace-Crossley's spoken-word vocals cut through the din in staccato fashion, laying down lyrics that grapple with vulnerability and deception. Underpinning the energy are Sam Edwards' throbbing bass and Juan Sanchez's explosive drumming, the track a relentless, hypnotic force.
Most striking is the duality- punk toughness and melodic sweetness combining to produce a song that's as bristly as it is clingy. You.Know.Want is not a song but an emotional riot that has you gasping and clamouring for more. Floor-shaking? Yep. Soul-shaking? More than that.
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